Geetanjali Gangoli, from the School for Policy Studies, on a novel way of changing attitudes to gender violence
There is increasing interest in the role of bystanders in preventing gender-based violence. You the Man is a 35 minute theatre- production combined with workshop that promotes bystander engagement addressing the themes of: promoting equal and respectful relationships between men and women; promoting non-violent social norms and reducing the effects of prior exposure to violence (especially on children); and improving access to resources and systems of support. The project has been used internationally in the fields of education, workplaces, local government, health and community services and the community.
The University of Bristol’s Centre for Gender Violence and Research hosted a You the Man workshop last month led by international contributors Professor Ann Taket from Deakin University, Australia, Professor Cathy Plourde and actor Glenn Maynard. It brought together an audience of 25 local practitioners and policy makers. This group comprised advocates (such as Next Link, the Bridge, Bristol Rape Crisis), local community networks and agencies (including Bangladeshi Association, the Barton Hill Settlement), youth organisers (such as the Prince’s Trust), Bristol City Council and representatives from Bristol University and UWE.
The 35 minute one man play is based on responses and fears expressed by six men responding to the dating violence experienced by a young woman university student, Jana. It highlights the seriousness of unhealthy relationships and dating violence and how early intervention by family and friends may be able to help victims in these situations.
The play was followed by a panel discussion involving Professor Ann Taket, Professor Cathy Plourde, Glenn Maynard, Dr Geetanjali Gangoli, Dr Christine Barter (expert in intimate partner violence in teenage relationships), and Shabana Kauser-Iqbal from Women’s Aid and the Sky Project, an expert in BME communities. Having originated in Australia, the play was critiqued by the audience as to its ‘translatability’ into a UK context and more specifically to BME and/or sexual minority communities. Having already been effectively translated from its original American setting to an Australian setting, it was considered to be suitable for adaption to a UK audience (with further consultation with minority groups) – and particular interest was shown in introducing the play in university settings. The audience heard about evaluations undertaken showing that the play was effective in changing attitudes to sexual and domestic violence in both the short and long term. Queries were raised about the need for support services not only for victims of sexual and domestic violence, but also for family members and friends; such support was said to exist to a limited degree in Bristol.
The play is a powerful and simple tool, requiring minimal resource. It can be effective as part of the strategy towards prevention of gender-based violence, increasing awareness, providing resource information, and changing attitudes to sexual and domestic abuse. This workshop is the first step to enable us in the Centre for Gender and Violence Research to build on our existing networks with practitioners and policy makers. It could be effectively used in conjunction with existing local programmes on reducing and preventing gender-based violence. We anticipate that such an initiative has potential to demonstrate long term impact and to change local policies.
Dr Geetanjali Gangoli organised and moderated the workshop on behalf of the Centre for Gender and Violence Research. The workshop was supported by PolicyBristol, where this post was first published
